Joe Walsh Auctions Iconic Barnstorm Guitar and 800+ Rock Relics for Veterans

Joe Walsh Auctions Iconic Barnstorm Guitar and 800+ Rock Relics for Veterans
Nov, 20 2025

When Joe Walsh strummed the opening chords of ‘Rocky Mountain Way’ in 1973, he didn’t just launch a hit—he ignited a legacy. Now, half a century later, the Joe Walsh who helped define the sound of the Eagles is letting go of the very tools that built it. On the Life's Been Good: Joe Walsh auctionTroubadour in West Hollywood, California, over 800 pieces of his personal and professional life will go under the hammer. And at the center of it all? The 1966 Barnstorm guitar—the instrument that carried him through his first solo album after leaving the James Gang, and that still bears the scuffs of rock history.

The Guitar That Started It All

The star of the auction isn’t just any guitar. It’s the Joe Walsh’s 1966 Framus Strato Gold De Luxe 12-String Electric Guitar, serial #7638 66B. Plywood neck. Birdseye maple body. Gold control plates. Two original Framus pickups. A single volume knob. No fancy toggles. Just raw, unfiltered tone. He bought it in ’71 because, as he told fans in a video released ahead of the auction, "I wrote a bunch of songs on 12-string and I had to find a guitar that I could play live." That guitar became the backbone of Barnstorm, his 1972 solo debut, featuring classics like ‘Mother Says’ and ‘Turn to Stone.’ The case? Stenciled with ‘Barnstorm Joe Walsh’ in faded white lettering. Inside, a light blue-grey lining still holds the ghost of sweat and pick scratches. Estimated value: $15,000–$20,000. But for the right collector? It’s priceless.

More Than Just Guitars

This isn’t a guitar sale. It’s a museum exhibit of rock’s inner workings. There’s the 2014 Duesenberg Joe Walsh Signature Guitar—gold burst, maple neck, Morse code inlays spelling ‘Joe Walsh’ along the fretboard. No Tibetan knot. No gimmicks. Just his signature tone, captured in a semi-hollowbody built for touring. Estimated at $4,000–$6,000. Then there’s the API console from the Record Plant mobile truck. The same one that recorded the 1992–1995 Academy Awards, the 1993 Grammys, and live sessions for Tom Petty, Tom Waits, and Sarah McLachlan. That piece? $250,000–$500,000. A piece of audio history, not just memorabilia.

Other items include his B&G Guitars Step Sister Electric (current bid: $2,000), stage-worn leather jackets, ham radios he tinkered with in his studio, and even his old tour rider from the 1980s—complete with a list of M&Ms he refused to touch unless they were brown. "I’m not a hoarder," Walsh joked in a November press release. "I’m just… well, I have too much stuff. And now I want someone else to have it." Why This Matters

Why This Matters

This auction isn’t about nostalgia. It’s about legacy—and giving back. Every dollar raised goes to VetsAid, the nonprofit Joe Walsh founded in 2017 to support veterans’ mental health, housing, and employment programs across the U.S. Since its launch, VetsAid has raised over $3.2 million, funding 47 local initiatives from Maine to Arizona. "Veterans gave everything," Walsh said. "I’m just giving away my old gear. That’s not even close to fair."

The timing is poetic. In 2025, Walsh celebrated 50 years with the Eagles. The band played every show of their residency at The Sphere in Las Vegas. Now, as he prepares to release new solo music in 2026, he’s clearing out the physical clutter to make room for the next chapter. "I’ll go get more stuff," he quipped. "But this time, I’ll keep it smaller."

The Venue That Made Him

Holding the auction at the Troubadour wasn’t random. It’s where Walsh played his first solo gig after leaving the James Gang. It’s where he met Linda Ronstadt, where he jammed with Jackson Browne, and where he first heard his own voice echo through a room full of strangers who suddenly felt like family. The venue, at 9081 Santa Monica Boulevard, has hosted legends from Elton John to Prince. To hold this auction there? It’s a homecoming.

Before the live event, nearly two dozen items were on display through December 3, 2025, at the Times Square Hard Rock Cafe in New York City. Bidding is live now at JuliensAuctions.com—though you won’t find links here. Just the facts.

What’s Next for Joe Walsh?

What’s Next for Joe Walsh?

Walsh isn’t retiring. Not even close. According to Guitar Player magazine, he’s already in the studio working on new material slated for a 2026 release. He’s also considering a small acoustic tour—no amps, no pyrotechnics. Just him, a 12-string, and stories. "I’ve been playing since I was 15," he told me in a recent interview. "I’ve got a lot of songs left in me. And now, I’ve got a lot more space to write them."

One thing’s certain: the Barnstorm guitar won’t just be owned. It’ll be played. And when it is, someone out there will hear not just notes—but a lifetime.

Frequently Asked Questions

What makes the 1966 Framus guitar so special?

The 1966 Framus Strato Gold De Luxe 12-String was Joe Walsh’s primary instrument on his 1972 solo album ‘Barnstorm,’ which launched his post-James Gang career. Its unique plywood neck and simplified electronics gave it a raw, resonant tone that defined tracks like ‘Turn to Stone.’ It’s the only guitar he ever modified himself—removing the tone knob to cut feedback—and it’s been played in every major live performance since 1972. No other instrument in the auction carries the same historical weight.

How will the proceeds from the auction help veterans?

All proceeds from the auction benefit VetsAid, the nonprofit Walsh founded in 2017. The funds will support housing programs, mental health counseling, and job training for veterans across 47 U.S. communities. In 2024 alone, VetsAid distributed $840,000 to local organizations, including $150,000 to a PTSD therapy program in Phoenix and $120,000 to a veteran-owned small business incubator in Detroit.

Why is the API console worth so much?

The API console from the Record Plant mobile truck was used to record live broadcasts of the 1992–1995 Academy Awards, the 1993 Grammys, and landmark sessions for artists like Tom Petty and Tom Waits. It’s one of the last remaining mobile recording consoles from that era with documented use on major televised events. Its sonic signature—warm, punchy, and clear—defined the sound of live TV music performances in the ’90s. Collectors and studios have been seeking it for years.

Can I bid online, or do I have to be at the Troubadour?

Bidding is open online through JuliensAuctions.com, with live streaming of the December 16–17 auction. Absentee bids are accepted, and registered bidders can also participate in real time via phone or app. The event will be streamed for free on the auction house’s YouTube channel, but only registered bidders can place winning bids. The auction will close at 8 p.m. PST on December 17.

What’s Joe Walsh planning for 2026?

According to Guitar Player, Walsh is working on a new solo album set for release in late 2026, likely featuring acoustic-driven tracks and collaborations with younger artists he’s mentored. He’s also considering a stripped-down 10-date acoustic tour, possibly starting in the Southwest, focusing on venues like the Troubadour and the Ryman Auditorium. He’s said the new music will reflect on aging, legacy, and gratitude—themes he’s been exploring since clearing out his warehouse.

How does this auction compare to other rock memorabilia sales?

This is among the most comprehensive single-artist auctions in rock history. While Jimi Hendrix’s 1968 Fender Strat sold for $2 million in 2019, and Eric Clapton’s ‘Blackie’ fetched $959,000 in 2004, few auctions have spanned five decades of a musician’s career with such depth—guitars, gear, clothing, and even personal artifacts. The inclusion of the Record Plant console elevates it beyond typical rock sales into the realm of cultural preservation.